|
|||||
|
|
|
||||
|
|
|
|
|
● Audio System MatchingIn a well-matched system:
In choosing components for your system, we suggest that you try to avoid products with highly colored tonality. Sometimes these products can be successfully matched in a system by choosing other products which have offsetting colorations. However, while you can assemble a system with components utilizing the inverse euphonic coloration method, you will probably find it very difficult to upgrade such a system at a later date unless you are prepared to replace several components simultaneously. For if you change only one component, you may find that the tonality will swing wildly away from neutral, just as one person hopping off a balanced teeter-totter will make the other person fall to the ground. Instead, we prefer to choose products with highly uncolored (neutral) tonality, so that a component can be readily upgraded in the future without disrupting the system's balance.
We often use the metaphor of a chain to describe system performance. The weak link in the chain, i.e. the poorest performing component, will dominate the performance limitations of the system. When upgrading a system, you will achieve the largest performance gains by upgrading the least good component first. When buying a whole system at once, make sure that you are not overspending in one area and under-spending in another. Sometimes we intentionally mismatch the components in a system—at least for a little while. High performance systems can sometimes be too expensive to buy all at once. In this case, we suggest buying one component at a time. While the system won't achieve it's full performance potential until the last component is purchased, this strategy minimizes the total cost of the system and insures that the final system is well planned and evenly balanced.
|
|
What's New About Us Our Facility Products Systems Room DesignLibrary Gallery Used Contents Links Contact Us |
|||||